During my early years of
teaching, I didn’t implement musical arts in my classroom. I might have brought
my guitar in class during winter holidays but aside from that, that was about
it.
It was not until I had the
opportunity to attend an Eric Jenson workshop that I fully realized the
powerful impact of music on the brain and student achievement
I slowly began to incorporate
music into the curriculum. I first started with a “call back” song. Now, when
my students were involved in activities such as cooperative learning, partner
work or brain storming, or whatever it was, and I wanted them to return back to
their seats, I would play the call back song – which was “Brown-eyed girl.”
So, what would happen when my
kids heard the beginning of the song, they would automatically stop talking,
gather up their materials and quickly (without running) make their way back to
their seats. And of course, this was practiced over and over until it became
second nature.
After my students got the call back song down pat, I introduced music (with lyrics) as children entered the classroom in the morning and departed school in the afternoon. I kept this up for a few days, and once I felt comfortable, I introduced music (no lyrics) during independent reading time.
Then after about a week or so,
I introduced music during partner work and brainstorming activities.
Before too long I was playing
music a good part of the school day. I guess this whole process took me less
than 30 days to implement. I found it to be one of the best things I ever did
for my students. And they really enjoyed it as well.
I would recommend that you not
rush into implementing music in the classroom all at once. Take your time—and
only add music as you feel comfortable doing so.
Kids today are exposed almost
constantly to music of various kinds on television, in malls and office
buildings, on their own cellphones or computers. As movie makers know, music
can set the mood for any scene. Playing music during classes can change the
atmosphere of the class from noisy to quiet, from chaotic to organized. It is
an important tool that is not used as much as it could be by teachers.
The next thing that I want to
address is the beats per minute or BPM. The BPM is likely to have real effects
on student learning and the mood in the classroom. Like a conductor, you can
orchestrate the mood of the class.
Theoretically, listener’s
physical heartbeats may change to sync up with the musical beat. Scientists
have recorded brain changes with differing beats. Again, try to match the BPM
appropriately to the task or activity you want students to do while the music
plays.
Now, as far as the type of music that I played in the classroom, it was mostly from Eric Jenson’s CD Collections of Music.
Jensen has become internationally
recognized for his brain based” publications for teachers. He links current
brain research with strategies to improve student achievement. Music is one of
the key tools he uses to stimulate positive feelings in the classroom.
He suggests considering the
emotional state you are trying to elicit, the age of the listener and the types
of music that that are most familiar to them. Songs with words should be
reserved for special occasions or games; Jensen suggests relying mainly on
instrumental music of various kinds.
To celebrate the start or
completion of tasks, something upbeat can get students inspired. For lengthy
writing tasks, calming music with a slow rhythm can aid concentration.
Accordance to various brain
studies, beats per minute can have profound effects on the human body and
brain. Jensen writes:
“Songs in the 35-50 BPM range
will be more calming, while those in the middle 55-70 BPM will be more moderate
for seat work. For activities, the pace might be 70-100 for energizers, maybe
100-160 BPM will REALLY rev things up.”
Lyrical music is best when the
activity does not involve memory formation, for example: lining up, cleaning
up, finding a partner, greeting students at the door, exiting the class, etc.
Music with no lyrics is best
played at low volume when engaging in executive functioning for example:
reading, writing, math problem solving, group discussions—things of that
nature.
Now once I finished the
workshop I bought a $600 BOSE IPOD Sound Dock System that I had used regularity
in the classroom. Now I would not recommend that new teachers spend that kind
of money initially.
I would suggest going to
Wal-Mart and picking up a CD player for around $25 – or if your school offers
Audio-Visual equipment, to request that a CD player be made available in your
class every day.
Alternatively, you can attach
good speakers to a computer or smartphone – just be sure they can put out
sufficient volume to be heard by a classroom full of excited, noisy kids!
The point here is that it is
not the cost of the system but rather that appropriate music can assist
students with a given activity and you will want to be able to access music as
a teaching tool at any time.
Like I mentioned earlier, I’d
recommend that you gradually introduce music into the classroom to coincide
with your instruction. Music itself and the technical issues to get it playing
can become distractions. Start with a few minutes a day and gradually increase
the use of music as you begin to feel comfortable with its use.
My friend, we barely skimmed
the surface with respect to the advantages of implementing musical arts in
teaching your curriculum. There is an excellent book by Eric Jensen that I’d
like to recommend to you that is chock-full of valuable information and
studies. The book is: Music with the Brain in Mind – it is an
excellent read.
I will conclude by saying that
one could fill volumes when making the case for musical arts in the classroom.
There’s overwhelming evidence that music is central to learning. It impacts
academic achievement, motor and social skills and much, much more.